“It is not to do with equipment, it is all to do with the way the mind sends alerts to his fingers” – The tale of Dire Straits’ Sultans Of Swing

By the summer season of 1977, Mark Knopfler experienced jacked in his work as an English lecturer in Essex and moved in with his guitarist brother, David. They lived with bassist John Illsley in a flat in Deptford, way down south, London city. One particular chilly, rainy evening they stepped into a local pub the place a group of outdated boys had been actively playing Dixieland jazz music in the corner to the complete indifference of the patrons. Their established closed, and they signed on their own off as the Sultans Of Swing. The unique majesty of their name clashed superbly with the drab truth of their environment, and Mark Knopfler was impressed. 

Back at the flat the lyrics came quickly, and the songs was composed on his trusty Countrywide metal guitar. It was when he plugged his 1961 Strat into Illsley’s Fender Vibrolux amp that he realized he experienced a thing.