My Favorite Bits of Music Equipment and Studio Gear

KESMAR is performing in direction of his debut album. The record was recorded around the final number of a long time, and follows the EPs Up to You (2019) and Forever Holiday (2021). The latter launch involved the one ‘Johatsu’, KESMAR’s most popular release to day, which features visitor vocals from French pop singer Flore Benguigui.

The New South Welsh songwriter’s newest solitary, ‘Out of Luck’, is the 1st flavor of the approaching history. “This tune is in essence a covid tune,” claimed KESMAR’s Nathan Hawes. “It’s about waking up late, experience like you’re heading in circles.” Like many of KESMAR’s prior releases, ‘Out of Luck’ is stamped with Hawes’ affection for classic studio appears and ’70s singer-songwriter pop. Listed here, KESMAR gives us a rundown of his favourite studio toys.

Kesmar – ‘Out of Luck’

1979 TEAC M15 24 Channel Console 

The console is the coronary heart of the studio. It’s the entrance conclusion of all the recording – anything goes by way of the preamps on the console ahead of going to tape or my DAW. It just seems like the ’70s, sluggish, body fat audio transformers. Due to the fact earning this new report, I have moved on to a little 16 channel Yamaha M1516, but for the time I experienced the TEAC, it genuinely just did its occupation.

Fender Rhodes Mark I

This is a new addition to the studio. Funnily ample, I have two at my property at the moment a single is on financial loan from a buddy. Immediately after a week of possessing his on mortgage, I knew I essential to invest in 1. I uncovered a person affordable a week later and it is now a staple of the studio. It was modified by Dyno-My-Piano in 1979, offering it a lot more versatile EQ. It can pull some serious tone.

1976 Ludwig Tremendous Typical Drum Kit 

Another just one I cannot live without the need of. Actually just an incredible kit, sounds seriously killer. Most of my instruments are from about 1970-1982. It’s just a time interval I’m genuinely drawn to, so each time a thing good or whacky comes up from the ’70s, I’ll obtain it and attempt it. This kit will never ever be bought, it is so pricey to my coronary heart.

Roland Juno-60

Among the Juno-60 and the original Minimoog, you can cover a large amount of synthesiser ground. I like points to be simple and effortless to use, possibly why I appreciate the Juno so significantly. It was my initial synth, I acquired it a couple many years back again mainly because I enjoy the seem, but also I just beloved how uncomplicated it was. But really don’t be fooled, it is ridiculously flexible.

Tascam 48-OB 8-Monitor Tape Machine 

Tape is a massive element of my recording method. It’s just the sound that I’m right after, in particular the Tascam 48 – that detail just sounds like “tape.” I have considering that moved on to an Otari MX70 16 keep track of, but I did most of the new album with that 8 observe. I would fill up as considerably as I could on the Tascam, then dump it into Logic for overdubs etcetera. Then I would blend down to tape yet again. I generally test to hit tape at minimum twice.

KESMAR – ‘Johatsu’ (Feat. Flore Benguigui)

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